It was during the darkest days of the pandemic that Aja Barber had her revelation about fast fashion.
“A lot of us were sitting in our houses looking around going, ‘Holy crap, I have a lot of stuff’ and yet there were weeks where I wore the same two outfits,” Barber tells ABC RN’s Big Ideas.
Yet beyond having an overflowing wardrobe, Barber began questioning how the price of clothing had gone down within her lifetime, while everything else was going up. The conclusions made her uncomfortable.
“There was always a feeling of, ‘But why are we OK with people in other countries making terrible wages?’ That feeling was always there and I couldn’t fight it,” she says.
Currently the average Australian purchases 56 items of clothing each year and sends 23 kilos to landfill.
Globally, the garment and textile industry employs approximately 75 million people worldwide. The Clean Clothes Campaign estimates less than 1 per cent of what you pay for a typical garment goes to the workers who made it.
Now Barber, the author of Consumed: The Need for Collective Change, wants to demystify the structural inequality embedded in the global fashion industry and show consumers how they can change that.
Barber is quick to admit that she was part of the problem from a young age.
“When I think about my own path to being a fast-fashion shopper, I was so ripe for the taking because I grew up being made fun of for my clothing,” she says.
“[I was] never being invited to subsequently sit at that lunch table with that group of snobs that were mean to me, thinking that maybe if I just had a T-shirt from the Gap, they’d be nice to me.
“And that’s how it starts.”
In her 20s, Barber read about the highly covetable leather Birkin bag and she set her sights on owning this expensive piece.
That is, even though she admits she thought the bags were ugly.
“But I wanted one because of what it said about me. I’m a young Black woman in a very white world, going into white business places and I want people to treat me well. That’s why I wanted the bag, not because it was pretty,” she says.
Barber bought the bag and this is just one example, she says, of her long-standing relationship with fashion and this belief that it could fix her feelings of inadequacy.
Now she wants to remind everyone of what’s lurking behind our desire to own the next big thing.
“Maybe you don’t even need that dress; maybe you need a hug,” she says.
Barber says we have grown accustomed to downplaying the scale of the fast-fashion problem in order to continue justifying the purchase of sweatshop-made clothing.
“In devaluing the system, we’re entirely able to look away from the harm of the system,” Barber says.
By framing the issue as trivial, Barber says we’re also devaluing the labour that goes into making garments, and the entire labour force propping up the clothing industry.
The 2022 Ethical Fashion Report found that just 10 per cent of companies surveyed could provide evidence they were paying workers living wages at any of their final-stage factories.
“We have to value it because it is having a deep and profound impact on not just our planet, not just our fellow sisters, but our psyche as well,” Barber says.
A common argument that Barber comes up against is that cheap clothing is accessible to everyone.
Her counterargument is simple:
“Is it really accessible when it can only exist if we exploit other women?”
“We’re so indoctrinated into consumerism, we really squeeze and manipulate rhetoric to fit our particular situation, so we feel good about buying sweatshop clothing,” Barber says.
She also points out that the target audience for cheap clothing is usually the middle class.
“When I try and talk to people with platforms that sell sweatshop clothing, I’m like, ‘So you’re a rich woman, why are you selling sweatshop clothes?'” she says.
Their common response is that it’s what their audience and followers can afford.
“And I’m like, your audience is just like you, your readership is just as middle class as you are. Do not even pretend like they need you to sell them shite that they don’t need.”
Additionally, she says we need to change our mindset around ethical shopping.
If Australians bought ethically made clothing at the rates they currently buy fast fashion, the cost would likely be prohibitive.
But if we reduce the amount we buy and wear those items longer, then ethically made clothing will be cost-effective.
Another common justification for buying cheap clothing is that the sweatshop workers are better off working than not.
But Barber argues this is straight-up colonialism.
“This is the idea that all of these systems can only exist if a corporation from a foreign entity exploits everyone,” she says.
And she points out that there are brands that do pay fair wages. And these companies can challenge others to do better.
In 2017, environmental charity Hubbub found that one in six young people didn’t feel they could repeat an outfit once it had been seen on social media.
Barber says this message is starting to become normalised.
“With the prevalence of buy now, pay later, we’re really seeing this new and extreme normalisation of debt to buy things that you don’t even need,” she says.
Barber believes that more needs to be done to educate young people about the labour that goes into tailoring clothes to counter these attitudes.
“When I was growing up, we had home economics and I think we actually need to bring that back so people know the skills and labour that go into making things,” she says.
Similarly, she says we need to push back on social stigmas around buying second-hand clothing.
“I grew up wearing second-hand [clothes]. I did not tell my little snot-nose peers because that would have been another thing for them to make fun of me for,” Barber says.
“I think there’s still stigma there. That’s a hurdle that we’re going to have to get through culturally in our society.”
She also wants consumers to slow down and rediscover their individual style.
“Fast fashion has gotten us so away from knowing our personal style, knowing what we really like because you’re having a lot of stuff pushed at you,” she says.
“And once we get back to that, it really narrows down what you’re purchasing … It’s a lot more considered, which means it’s probably going to stay in your wardrobe for a lot longer.”
Yet Barber admits, while encouraging people to buy ethically or second-hand or educating young people are all important steps forward, she says individuals can’t be expected to fix the problem.
“We need legislation, we cannot group hug our way out of this.”
For example, Barber suggests the introduction of an extended responsibility tax being placed on all fast fashion garments would mean that companies would have to pay for the end of the life of every product manufactured.
Additionally, imposing financial penalties around non-compliance of Modern Slavery Acts.
And as an individual, Barber says: “If you already have clothing you can wear, then you don’t need new things.”
And the next new item of clothing you do buy “has to be from a company that pays everyone fair wages, that’s it”.
This conversation with Aja Barber was originally recorded by Sydney Opera House Presents as part of the All About Women festival and broadcast on ABC Radio National’s Big Ideas.
Get more stories that go beyond the news cycle with our weekly newsletter.
Posted , updated
British Fashion Council (BFC) is set to present the Outstanding Achievement Award at The Fashion Awards 2024 to American fashion designer, businessman and fi
The exhibition will be arranged by 12 characteristics of Black dandyism, an organizational principle informed by a 1934 Zora Neale Hurston essay, “The Charact
Victoria’s Secret is one of those brands that means many different things to many different people. Once a driving force in American culture that helped defin
'Deborah Turbeville: Photocollage' – a tribute to the innovative american fashion photographer at THE PHOTO